The article discusses three cases study from new Polish media art field (Robert B. Lisek, Michał Brzeziński, Paweł Janicki) in the context of sociocultural changes connected with development of both network society systems and science including information theory, quantum physics, biology and philosophy. Text points out the art projects that have critical aim and destabilize common communicational, scientific and cultural schema. In this new artistic practice there is a strong feedback between creativity and scientific theories as well as new technological devices.
References
Agamben G. 2003. The Open: Man and Animal, tłum. K. Attell, Stanford University Press, California.
Brzeziński M. 2011a. Michał Brzeziński: FAKE ART, katalog wystawy, BWA, Nowy Sącz.
Loewestein W.R. 1999. The Touchstone of Life: Molecular Information, Cell Communication, and the Foundation of Life, Oxford University Press, New York–Oxford.
Parikka J. 2010. Insect Media: An Archaeology of Animals and Technology, University of Minnesota Press, Minneapolis.
Shannon C. 1993. Collected Papers, IEEE Press, New York.
Shrödinger E. 1998. Czym jest życie oraz Umysł i materia. Szkice autobiograficzne, tłum. S. Amsterdamski, Prószyński i Ska, Warszawa.
Simondon G. 2011. On the Mode of Existence of Technical Objects, tłum. N. Mellamphy, D. Mellamphy, „Deleuze Studies” 2011, vol. 5.
Wheeler J.A. 1994. At Home in the Universe, American Institute of Physics, New York.
Wilson S. 2003. Information Arts: Intersections of Art, Science, and Technology, The MIT Press, Cambridge.
Wilson S. 2010. Art + Science Now, Thames and Hudson, New York.
Zielinski S. 2010. Archeologia mediów. O głębokim czasie technicznie zapośredniczonego słuchania i widzenia, tłum. K. Krzemieniowa, Oficyna Naukowa, Warszawa.
