common.pageHeaderLogo.altText6767d84ff1209

Recenzje

Nr 1(8) (2015): Symbole

Ostentatio genitalium, czyli seksualność Chrystusa jako dowód Wcielenia: Leo Steinberg, “Seksualność Chrystusa. Zapomniany temat sztuki renesansowej”

  • Kamil Kopania
Przesłane
23 June 2020
Opublikowane
01-04-2015

Bibliografia

  1. Bale A. 2010. Feeling Persecuted. Christians, Jews and Images of Violence in the Middle Ages, Reaktion Books, London.
  2. Bayless. M. 2007. Clothing, Exposure, and the Depiction of Sin in Passion iconography, [w:] Weaving, Veiling, and Dressing. Textiles and their Metaphors in the Late Middle Ages, red. K.M. Rudy, B. Baert, Brill, Turnhout, s. 289–305.
  3. Bullough V.L., Brundage J.A., red. 1996. Handbook of Medieval Sexuality, Routledge, New York.
  4. Burgwinkle B., Howie C. 2010. Sanctity and Pornography in Medieval Culture. On the Verge, Manchester University Press, Manchester.
  5. Bynum C.W. 1982. Jesus as Mother. Studies in the Spirituality of the High Middle Ages, University of California Press, Berkeley, Los Angeles.
  6. Bynum C.W. 1987. Holy Feast and Holy Fast. The Religious Significance of Food to Medieval Women, University of California Press, Berkeley, Los Angeles.
  7. Bynum C.W. 1991. Fragmentation and Redemption. Essays on Gender and the Human Body in Medieval Religion, Zone Books, New York.
  8. Bynum C.W. 2001. Skąd taki zamęt wokół ciała? Z perspektywy mediewistki, tłum. I. Sławińska, „Teksty Drugie”, nr 5, s. 74–96.
  9. Camille M. 1992. Image on the Edge. The Margins of Medieval Art, Reaktion Books, London.
  10. Camille M. 1998. The Medieval Art of Love. Objects and Subjects of Desire, Laurence King Publishing, New York.
  11. Easton M. 2006. The Wound of Christ, the Mouth of Hell. Appropriations and Inversions of Female Anatomy in the Later Middle Ages, [w:] Tributes to Jonathan J. G. Alexander. The Making and Meaning of Illuminated Medieval & Renaissance Manuscripts, Art & Architecture, red. S. L’Engle, G.B. Guest, Harvey Miller Publishers, Turnhout, s. 395–414.
  12. Elliott D. 1999. Fallen Bodies. Pollution, Sexuality, and Demonolog y in the Middle Ages, University of Pennsylvania Press, Philadelphia.
  13. Karkov C.E. 2001. Sheela-na-gigs and Other Unruly Women. Images of Land and Gender in Medieval Ireland, [w:] From Ireland Coming. Irish Art from the Early Christian to the Late Gothic Period and Its European Context, red. C. Hourihane, Princeton University Press, Princeton, s. 313–331.
  14. Kopania K. 2004. Słowo – obraz – teatr. Uwagi na temat „Rozmyślań dominikańskich”, „Biuletyn Historii Sztuki”, R. LXVI, nr 1–2, s. 7–48.
  15. Kopania K. 2012. Przedstawienia odrażające w późnośredniowiecznym malarstwie z terenów dzisiejszej Polski – zarys problematyki, [w:] Ars historiae / historia artis. Prace ofiarowane Profesorowi Andrzejowi Wyrobiszowi, red. E. Dubas-Urwanowicz, J. Maroszek, Wydawnictwo Uniwersytetu w Białymstoku, Białystok, s. 61–72.
  16. Lindquist S.C.M., red. 2012. The Meanings of Nudity in Medieval Art, Ashgate, Aldershot.
  17. Marek K., Preisinger R., Rinnele M., Kärcher K., red. 2008. Bild und Körper im Mittelalter, Wilhelm Fink Verlag, München.
  18. Marrow J.H. 1977. ‘Circumdederunt me canes multi’. Christ’s Tormentors in Northern European Art of The Late Middle Ages and Early Renaissance, „The Art Bulletin” June, vol. LIX, nr 2, s. 167–181.
  19. Marrow J.H. 1979. Passion Iconography in Northern European Art of the late Middle Ages and Early Renaissance. A Study of Transformation of Sacred Metaphor into Descriptive Narrative, Van Ghemmert Publishing Co., Kortrijk.
  20. McDonald N., red. 2006. Medieval Obscenities, York Medieval Press, Woodbridge.
  21. Mellinkoff R. 1993. Outcasts. Signs of Otherness in Northern European Art of the Late Middle Ages, T. I, Berkeley, Los Angeles, Oxford.
  22. Mellinkoff R. 2004. Averting Demons. The Protective Power of Medieval Visual Motifs and Themes, Wipf & Stock Publishers, Los Angeles.
  23. Mills R. 2005. Suspended Animation. Pain, Pleasure & Punishment in Medieval Culture, Reaktion Books, London.
  24. Moryń M. 2012. Kocham, nie czytam bzdur!, „Fronda”, nr 64, s. 226–238.
  25. Rogers Jr E.F., red. 2001. Theology and Sexuality. Classic and Contemporary Readings, Wiley-Blackwell, Oxford.
  26. Salisbury J. 1990. Medieval Sexuality. A Research Guide, Routledge, New York.
  27. Steinberg L. 2013. Seksualność Chrystusa. Zapomniany temat sztuki renesansowej, tłum. M. Salwa, oprac. nauk. M. Walczak, Universitas, Kraków.
  28. Weir A., Jerman J. 1986. Images of Lust. Sexual Carvings on Medieval Churches, Routledge, London, New York.
  29. Wiesner-Hanks M.E. 2000. Christianity and Sexuality in the Early Modern World. Regulating Desire, Reforming Practice, Routledge, London.
  30. Wolfthal D. 2010. In and Out of the Martial Bed. Seeing Sex in Renaissance Europe, Yale University Press, New Haven, London.

Downloads

Download data is not yet available.